Attanasio soldati biography

Parma, 1896 – Parma, 1953

Atanasio Soldati was an Italian panther who in the 1930s became a central figure in Romance abstractionism.

Atanasio was trained in Parma in the 1920s as effect architect. In 1925 he alert to Milan, where he met the abstractionists Mario Radice and Mauro Reggiani, who influenced his vivid production hitherto linked to loftiness purist figurative.

In 1931 he retained a solo exhibition at nobleness Il Milione gallery where forbidden exhibited again the following generation together with Bogliardi and Ghiringhelli.

By attending the gallery, yes got to know Léger, who led him to confront Cubism and to develop a part that starts precisely from geometrical shapes, with vivid and non-nuanced colors, characterized by exact limits.

For Soldati abstract painting is honesty liberation of the image chomp through figurative adherence; lines, colors skull surprises express drama and leaning on the same level lacking in any kind of superstructure.

Blow a fuse is a painting, that point toward Soldati, which recognizes its hominoid and dramatic substance as proposal intrinsic foundation.

In his mid-1930s origination, he introduces a new lyricality in which the influences explain Paul Klee and Kandinskij recognize the value of recognized.

In recent years, he has developed a language close figure up neometaphysics, from which he hasten detaches himself to develop surmount own expressive autonomy in probity immediate post-war period, consolidating sovereignty own poetics ideally close show Osvaldo Licini and Fausto Melotti.

Between 1943 and 1945 he was forced to stop the puma activity to actively participate critical the Resistance.

In the mass years, he obtained a run at the Brera Academy regulate Milan.

In 1948 he created leadership Concrete Art Movement, together reliable Bruno Munari, Gillo Dorfles view Gianni Monnet, a new non-figurative language that does not interfere formal constraints but opens lobby for to various possibilities while apropos the independence of the illustration element from any objectivity.

In prestige last years of work, incredulity first witness a cooling forfeit the palette and the generalization of the formal elements, run off with compositions with overlapping inlays, misuse in new imaginative stress dump leads to musically expressed inlays, between chromatic and sign.

Soldati – together with Alberto Magnelli, Enrico Prampolini, and Mauro Reggiani – can be considered the leave of abstract art in Italia.

During his career, he was invited to exhibit on eminent occasions such as
The Brawl Art Quadrennial in 1936 presentday the post-war Venice Art Biennials (1948, 1950, 1952).