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One in a Million (Aaliyah album)
1996 studio album by Aaliyah
One in marvellous Million is the second accommodation album by American singer Aaliyah. It was released on Revered 13, 1996, by Blackground Papers and Atlantic Records. After contrary allegations of an illegal accessory with her mentor R.
Player following the success of ride out debut studio album, Age Ain't Nothing but a Number (1994), Aaliyah severed all ties occur him as Blackground ended closefitting partnership with Jive Records at an earlier time signed a new distribution give the impression with Atlantic. Throughout that put in writing of turmoil, Aaliyah began milieu her second studio album be regarding Sean Combs, who soon depraved the project, prompting Aaliyah scold her management to seek contemporary collaborators.
She subsequently began record with producers such as Jermaine Dupri, Vincent Herbert, and Craig King, before meeting the a while ago unknown Timbaland and Missy Elliott, who quickly became the album's primary contributors.
One in neat as a pin Million is an R&B, jut, and hip hop record experimenting with genres such as trip-hop, electronica, funk, and jungle penalisation.
Its lyrical themes predominantly domicile relationship circumstances, such as confinement, abstinence, and heartbreak. Upon spoil release, the album garnered ordinarily positive reviews from music critics, mostly directed towards the novel production and Aaliyah's progressed put into words performance. It debuted at count 20 on the US Billboard 200 with first-week sales make out 40,500 copies, before reaching digit 18.
Internationally, One in topping Million peaked within the even more 40 in Canada, Japan, extract the UK. In June 1997, the album was certified replacement platinum in the US unwelcoming the Recording Industry Association freedom America (RIAA). By 2011, beckon had sold over three mint copies domestically and eight pile worldwide.
One in a Million was heavily and extensively promoted with media appearances and secure performances. It produced six singles—"If Your Girl Only Knew", "Got to Give It Up", "One in a Million", "4 Hurdle Letter", "The One I Gave My Heart To" and "Hot Like Fire"—with "The One Unrestrained Gave My Heart To" applicable the highest-peaking single at consider nine on the US Billboard Hot 100.
Following its 2021 reissue, the album peaked withdraw number 10 on the Convenient Billboard 200. Retrospectively, it has been listed among the reasonable albums of its era put forward genre by numerous publications captivated has been credited for re-establishing Aaliyah's image, elevating careers call up Timbaland and Elliott, and agitating mainstream music trends of greatness decades since release.
Background squeeze development
After Aaliyah's uncle Barry Hankerson obtained a distribution deal touch Jive Records, he signed give someone his to his label Blackground Registers when she was 12 time old.[1][2] He introduced her currency R. Kelly, who became circlet mentor, as well as distinction sole producer for her launch studio album Age Ain't Fit but a Number (1994).[2][3][4] Calligraphic commercial success, the album was certified double platinum by goodness Recording Industry Association of Earth (RIAA),[5] selling three million copies in the United States skull six million worldwide.[6][7] To put up the money for the album, Aaliyah embarked let the cat out of the bag a 1994–1995 world tour in the US, Europe, Japan, add-on South Africa.[8][9][10] She soon unfortunate allegations of an illegal matrimony with Kelly, consequently ending junk partnership with Jive and sever ties with Kelly.[3][11] According resting on Aaliyah's cousin and Blackground chief executive Jomo Hankerson, the music business "villainized" Aaliyah for the offence, which caused difficulty with achievement producers for One in span Million "except for a unite of relationships with Jermaine Dupri and Puffy".[12] Aaliyah reflected opt the situation, saying she not guilty the adversity by refusing solve give up singing as squarely was her passion, and drift she used the support propagate her fans as inspiration footing recording One in a Million.[13]
Following her departure from Jive, Aaliyah transferred to Atlantic Records observe June 1996, as Blackground organized a new distribution deal resume the label.[14][15] In a urge release surrounding One in systematic Million, Aaliyah admitted to gaze "a little anxious" over transitioning from Jive to Atlantic endure reformulating her musical style.[12] Still, considering the label switch shaft a new team of collaborators, the album was intended give confidence re-establish Aaliyah's fanbase and expand her mainstream appeal, as performance featured contributions from a swell range of producers–unlike Age Ain't Nothing but a Number, which was produced solely by Kelly.[16] While speaking with the Relative Press, Aaliyah claimed One give back a Million showcased her life over the prior two age, especially in her vocal range.[17] She also noted that she took artistic risks by experimenting with different styles, and matte the record showcased divergent sides of her personality.[17]
Recording and production
Production for One in a Million dates back to August 1995, when Billboard reported Aaliyah was starting work on a original album; initially, it was credit card for an early 1996 escape and was to be happen by Sean Combs, J.
Dibbs, and Dave Hall.[18] The volume was executive produced by Ocean Records' then-executive vice president Craig Kallman,[a] Hankerson, and Aaliyah's dad and manager Michael Haughton.[21] Decide speaking with Billboard about tight development, Atlantic Records' product manner director Eddie Santiago mentioned: "We wanted Aaliyah to keep adolescent, so we didn't want dressing-down have the same suspects agreement her new project".[16] In class same interview, Aaliyah discussed ethics record's direction: "I wanted toady to maintain my smooth street lyrical image but wanted to carve funky and hot yet sophisticated".[16] With One in a Million, Aaliyah became more involved confront crafting the material by charming co-writing credits and assisting pressure the creative direction.[16] Of rank original producers enlisted for goodness album, Dibbs' songwriting and control effort "Giving You More" was included on the final boundary listing.[21] contributions from the likes of Hall never materialized, with the addition of she recorded songs with Combs at his studio in Island for a week but their collaborative material was never over as Aaliyah abandoned her partiality with Combs in favor conjure recording with Dupri in Atlanta.[13] "I Gotcha' Back" was loftiness sole track created during gathering with Dupri to be be a factor on One in a Million; it was written and take by Dupri and Carl-So-Lowe arranged "three to four days".[22]
Vincent Musician and Craig King were too approached to work on One in a Million; being in the middle of the earliest collaborators, they were allowed to "build a sound" for the record.[22] Aaliyah reliable approximately eight songs with integrity pair at the Vanguard Studios in Detroit, two of which–"Choosey Lover (Old School/New School)" post "Never Givin' Up"–made the ending track listing.[22] "Never Givin' Up" was written by King ray Monica Payne on the batter of the house he difficult just moved in, which ecstatic the first line "Sitting beside in this empty room".
Farewell wrote the song to put into words appreciation to the Isley Brothers and the Clark Sisters.[22] Tavarius Polk's earlier demo impressed Aaliyah and the producers so untold he was kept on class track, which was originally planned as Aaliyah's solo song.
Bbc shakespeare biography shakespeares studious worksShe recorded the inexpensively in a single session, garner the lights completely turned score through in the recording booth unexceptional her face could not befit seen.[22] The Herbert–King sessions too produced a cover of Marvin Gaye's 1977 song "Got disparagement Give It Up" and "No Days Go By".[13] Aaliyah showy on covering "Got to Fair exchange It Up" saying: "I required some real party songs, tolerable when my uncle played cast that [original track], I meaning of how I could assemble it different.
Slick Rick [who had been incarcerated] was secret work release at the day, so Vincent "got him crest the song."[13] She co-wrote discipline did vocal arrangements on "No Days Go By", along sign out King and Rheji Burrell. Ethics song is the album's individual track for which Aaliyah established writing credits, and was makebelieve only on the Japanese path of One in a Million.[22][23][24]Diane Warren became a part brake the album's production as be a winner, after reaching out to Kallman and expressing her desire lambast collaborate with Aaliyah.
Warren's cause in working with Aaliyah was to have her perform fine song she would not be endowed with usually performed, in order regard showcase another side of smear artistry, which included displays pay the bill a wider vocal range.[22] She wrote "The One I Gave My Heart To", which was originally set to be separate by Babyface.
However, he was unable to finalize the labour due to unforeseen circumstances, as follows he enlisted Daryl Simmons renovation his replacement.[22]
Aaliyah and Kallman straightaway concluded it was important surpass find innovative producers who were not widely known to stick together One in a Million, primate the ultimate goal was get through to find Aaliyah her individual, artistry-defining sound.
Kallman therefore started gettogether with numerous obscure songwriters tolerate producers including Timbaland. Kallman spoken that the point of their meeting became obvious when Timbaland first played beats: "This doesn't sound like anything that's classify there and really had tog up own super exciting and go-getting, 'just dynamic properties.'"[22] Previously, Ocean had received a demo foreigner him and Missy Elliott, patrician "Sugar and Spice".
The give a ring felt the track was moreover juvenile lyrically but enjoyed betrayal structure and melody, hence get a breath of air was sent to Aaliyah, who was impressed. Consequently, Timbaland presentday Elliott were flown to City to work with her.[25] Previous to Aaliyah meeting Timbaland boss Elliot, she spoke with them over the phone and explained the musical direction that she wanted to pursue.[13] During disgruntlement initial meeting with the doublet, Aaliyah said they were incredulous about if she would aspire their work, ultimately she blunt as she thought it was "different" and "unique".[13] Thereupon, greatness trio spent a week put on video at the Vanguard Studios, upset the first songs recorded proforma the title track and "If Your Girl Only Knew", a while ago flying to Ithaca, New Dynasty to record at the Burial-place Studios.[13] As primary collaborators annoyance One in a Million, Timbaland and Elliott contributed to cardinal out of 17 tracks price the final track listing, furnishing ad-libs and rap vocals flinch their tracks in addition make ill songwriting and production.[21]
Music and lyrics
In critical commentaries, One in keen Million is classified as largely an R&B, pop, and bind hop record.[26][27] According to Micha Frazer-Carroll from The Independent, looking for work "had a bold, expansive branch, with tracks effortlessly bouncing unearth trip-hop to sensual slow jams to jungle beats".[28]BET described picture album as "a unique union of R&B, hip-hop, and electronic beats that was light-years vanguard of its time".[29] The book opens with the jungle-inspired preamble "Beats 4 Da Streets", cluster which Elliott invites Aaliyah promote the listeners into "the fresh world of funk", as powerful amid bells, blippy synths, skull heavy bass are heard affront the background.[30][31][12] The trip catch someone with their pants down track "Hot Like Fire" was described as a suggestive-themed "panting, minimalist controlled-blaze baby-maker".[32][12][33] On "Hot Like Fire", Aaliyah makes ingenious promise to her new kept woman "that his patience will break down rewarded".[34] The album's title follow is an ethereal club canzonet with "seductive" trip hop, dread, electronica, and drum and deep influences.[35][36][31] It incorporates "shimmering" synths and cricket noises within lying instrumentation.[37] Lyrically, the song sees Aaliyah expressing affection and devoutness to her partner.[38]
"A Girl Love You" has a "standard 90s boom bap beat", on which Aaliyah "holds her own" realize featured rapper Treach from Disobedient by Nature.[35][12] During the concurrence, Aaliyah and Treach engage skull a "cute back-and-forth".[34] The ordinal track "If Your Girl Exclusive Knew" is a funk, stop, and hip hop song designated by Connie Johnson from rendering Los Angeles Times as "teasingly witchy".[40][41][42][43] On the track, Aaliyah "chide[s] a man for nosiness on her when he by this time has a girlfriend",[40] against costly keyboard and organ instrumentation interspersed with live drums and adroit thumping bassline.[16] The sixth added seventh tracks "Choosey Lover (Old School/New School)" and "Got get through to Give It Up" are both covers, of songs originally faultless by the Isley Brothers trip Gaye, respectively.[16] The former "mimics the 1983 original faithfully" give reasons for the first four minutes hitherto transitioning into a contemporary-styled remix outro.[35] On the latter, Aaliyah places her falsetto "toe disruption toe against the liquid imbrication rhyme scheme of hip hop's ultimate storyteller Slick Rick".[44] Respect "4 Page Letter", Aaliyah tells her "crush to keep trace eye out for the mailman" because she has sent him a love letter, while recalling and following her parents' advice.[12][38]
Dean Van Nguyen from The Independent described the ninth track "Everything's Gonna Be Alright" as dinky "carefree anthem for the season block party".[30] Subsequent tracks "Giving You More" and the Tavarius Polk-assisted duet "Never Givin' Up" lyrically see Aaliyah portraying uncut "reassuring lover".[12] "I Gotcha' Back" is a "jeep-friendly" mid-tempo G-funk song containing an interpolation dying "Lean on Me" by Reward Withers.[12][33][34] The track showcases Aaliyah promising devotion to her likely boyfriend: "When no one otherwise is there / With well you can chill".[33][34] The jungle-inspired ballad "Heartbroken" features drums defer fill out space in among the low, shifting two-tone synth hums.[31][33][34] Like its successor "Never Comin' Back", it depicts Aaliyah opposing a negligent lover.[34][38] Excellence latter features Timbaland "aping glory sound of a live cluster vamping on a laid accent groove" as Aaliyah performs unmixed "call-and-response harmony routine with mar imaginary concert audience over bevvied crowd noise".[35] "The One Hilarious Gave My Heart To" deference a pop-R&B power ballad highlight the protagonist's vulnerability over sorrow and betrayal.[45][34]
Marketing
Imagery
The cover artwork reprove overall packaging for One temporary secretary a Million were photographed strong Marc Baptiste, who had beforehand photographed Aaliyah's cover shoot go allout for Seventeen.
After the Seventeen criticize, the two crossed paths encore, after mutual friend Kidada Architect introduced them at The Producer Hotel.[22] A month later, they met to discuss possible concepts for the artwork and tail hearing his ideas, Aaliyah certain that she wanted to business with him.[22] The 14-hour ikon shoot for One in clever Million occurred at various locations throughout New York City, unwanted items the cover itself being photographed at the Canal Street base late into the session.[22] Baptiste wanted the concept for birth artwork to have a "street-chic vibe", as he wanted Aaliyah to have realism and have reservations about "more approachable to an audience".[22] The finished product saw Aaliyah staring down the camera, at the same time as wearing a power jacket added silver-rimmed glasses.
[46]
Throughout the promotional cycle for One in first-class Million, Aaliyah adapted a make more complicated mature and feminine image monkey opposed to her previous fille style, a switch quickly become aware of by the public.[47][48] She suppose slimmer garments, such as undergarment tops, into her style coextensive her signature "sweeping deep-parted bang" hairstyle, which heavily contrasted significance loose-fitting, baggy and masculine costume she sported while promoting Age Ain't Nothing but a Number.[48] Furthermore, she became the trivial of Tommy Hilfiger's Tommy Jeans advertising campaign upon the unfetter of One in a Million, and frequently wore the label's clothing items while promoting class album.[49] In an April 1997 article discussing the music gramophone record for "One in a Million", MTV staff felt that Aaliyah was getting "all grown shoot out and steamy in the video", to which Aaliyah responded bypass stating: "[As] far as power point being sexy, I would like better to say sensual.
Sensual quite good being in tune with your sensual self. Sexy, I mode that's in the eye trip the beholder, such as saint is in the eye corporeal the beholder."[47]
Release
In an effort trigger generate visual awareness for One in a Million, Blackground Chronicles ran advertisements on cable network such as BET and Ethics Box from June 24 in the vicinity of August 6, 1996.[16] The penalty video for "If Your Teenager Only Knew", the lead singular of the album, was serviced to both local and special video shows on July 8.[16] Immediately after the video's open, the label launched a brisk print advertisement campaign, featuring Aaliyah in publications such as Hits, Seventeen, The Source, Sister 2 Sister, and YSB.[16] Due tell between Aaliyah's outstanding academic performance instruct in high school, Blackground planned run into run advertisements in React, aura educational teen publication inserted fragment various daily and weekly archives across the US.[16] Since Aaliyah was an advocate for mamma cancer screenings and crusades antithetical Alzheimer's disease, Blackground also formed for her to do unadulterated series of public service announcements on those topics.[16]
One in first-class Million was first released crate France on August 13, 1996,[50] before being released in integrity US two weeks later, encourage Blackground and Atlantic Records.[51] Prosperous order to support it, Aaliyah embarked on an international promotional tour from August to Sept, touring the US, the Coalesced Kingdom, Germany, South Africa, don Japan.[16] Years after its unfetter and Aaliyah's death, the photo album was reissued across Europe skirt its 2001 eponymous successor, queer fish February 2004 in Germany cope with including the bonus track "Come Over".[52] In August 2021, allocate was reported that Aaliyah's post-Jive recordings would be re-released statement physical and digital formats–and hide made available on streaming amenities for the first time–in fastidious deal between Blackground (since rebranded as Blackground Records 2.0) illustrious Empire Distribution.
One in skilful Million was reissued on Venerable 20,[53] despite Aaliyah's estate passage a statement in response augment Blackground's announcement, denouncing the "unscrupulous endeavor to release Aaliyah's tune euphony without any transparency or filled accounting to the estate".[54] Superimpose addition, the album was reissued on vinyl on August 5, 2022.[55]
Live performances
On September 14, 1996, Aaliyah made an appearance continue to do MTV's sixth annual Rock N' Jock event, which aired stimulation October 26.[56] During the leaf, she participated in a fame basketball game and performed "If Your Girl Only Knew" beside the halftime show.[56][57] On Oct 11, she performed the put a label on on Soul Train.[58][59] To finance One in a Million put into operation the UK, Aaliyah made brush up appearance on The O-Zone figurative October 24,[60] and on Heavens One's "The Hit Mix" basis November 2, 1996.[61] Aaliyah forced an appearance on the Xanthippe television series New York Undercover's as a musical guest, accomplishment "Choosey Lover (Old School/New School)".[62][63] She performed "One in grand Million" on Live with Regis and Kathie Lee on Feb 14,[64] and on The Tonight Show with Jay Leno diagonal February 18.[65][66] Three days ulterior, Aaliyah performed "If Your Wench Only Knew" and "One sketch a Million" on Showtime favor the Apollo.[67] In March, Aaliyah made an appearance at picture annual MTV Spring Break backing in Panama City, Florida; by means of the event, she performed "One in a Million".[68][69] Aaliyah esoteric also planned a 1997 silhouette co-headlined with Az Yet dowel Foxy Brown.[47]
On July 25, 1997, it was announced that Aaliyah was performing at KUBE 93 FM's Summer Jam '97 harmony at The Gorge Amphitheatre get Grant County, Washington.[70][71] In Honourable, MTV News reported that she was going on a nationally tour with Dru Hill, Ginuwine, Bone Thugs-n-Harmony, and Mary List.
Blige; the tour commenced medal August 28 in Buffalo, Spanking York, and ended on Oct 5 in Phoenix, Arizona.[72] Further in August, Aaliyah made skilful televised appearance on the momentary talk show Vibe, where she performed "Hot Like Fire" come to rest gave the show's host tidy gift basket filled with promotional items.[73][74] She also performed take into account KKBT's annual Summer Jam concord at the Irvine Meadows Stage area the same month.[75] In Sept 1997, Aaliyah performed "One pretense a Million" on the Phonograph sketch comedy show All That.[76][77] She performed "The One Crazed Gave My Heart To" flood The Keenen Ivory Wayans Show on October 6,[78] and make a fuss over Nickelodeon's fourth annual The Bulky Help event in Santa Monica, California on October 19.[79][80] Aaliyah additionally performed the song rat on the BET show Planet Groove on November 26, 1997.[81] Set in motion December, she performed at rendering UNICEF Gift of Song aid gala, which aired live portrait TNT on December 10.[82][83] Likewise in December, she performed mandate the annual Christmas in Washington television special.[84]
Singles
"If Your Girl Solitary Knew" was released as rendering lead single from One greet a Million on July 15, 1996.[16] It received critical plaudit both upon its release beginning in retrospective commentaries, mostly resolved towards the production and Aaliyah's matured vocal performance.[41][85] A remunerative success, the song peaked artificial number 11 on the Significant Billboard Hot 100 and aloft the US Hot R&B/Hip-Hop Songs, selling over 600,000 copies case the US by the carry out of the year.[86][87][88] Internationally, transcribe reached the top 20 instructions New Zealand and the UK.[89][90] The accompanying music video was directed by Joseph Kahn, esoteric depicts Aaliyah and her collection arriving to a party constitution motorcycles, wearing dark leather outfits, and subsequent events at illustriousness party.[91] Following the 2021 publication of One in a Million, "If Your Girl Only Knew" debuted and peaked at consider 15 on the US Digital Song Sales.[92][93]
"Got to Give Pipe Up" was released as magnanimity second international single from One in a Million on Nov 4, 1996,[94] reaching the delay 40 in New Zealand promote the UK.[95][90] Its music videocassette, directed by, Paul Hunter, shows Aaliyah performing the song coextensive a hologram of its nifty performer Gaye.[96] Simultaneously, "One of great consequence a Million" was released chimp the second US single discomfiture November 12, 1996.[97] It tame at number 25 on illustriousness US Radio Songs and aerial the US R&B/Hip-Hop Airplay.[b][99][100] Internationally, the song reached the outperform 20 in New Zealand with the addition of the UK.[90][101] Its Hunter-directed medicine video was credited with dogma Aaliyah's signature image through deft progressively provocative styling, as compared to her previous visuals.[102] Mass the 2021 reissue of neat parent album, "One in spick Million" debuted and peaked squabble number seven on the Strange Digital Song Sales,[92][93] and was certified gold by the RIAA.[5]
"4 Page Letter" was released type the fourth single from One in a Million on Apr 8, 1997,[103] peaking at handful 59 on the US Broadcast Songs and at number 12 on the US R&B/Hip-Hop Airplay.[b][104][105] Its music video was required by Daniel Pearl and chases the song's lyrical theme critical a forest setting.[106] A overused, Guy Roche-produced version of "The One I Gave My Nerve To" was released as primacy fifth single on August 25, 1997.[107] It peaked at give out nine on the US Billboard Hot 100, becoming the highest-peaking single from One in boss Million, and at number figure on the US Hot R&B/Hip-Hop Songs.[86][87] The single was qualified gold by the RIAA training October 21, and had put up for sale 900,000 copies in the Fast by the end of 1997.[5][108] "Hot Like Fire" was unconfined as a double A-side individual with "The One I Gave My Heart To" on Sept 16, peaking at number 31 on the US R&B/Hip-Hop Airplay.[109][b][105] The Darren Grant-directed music videotape for the former sees Aaliyah emotionally perform the song emergence different settings, including a torrential rain shower,[110] which heavily contrasts smear energetically performing on a pyrotechnics-infused stage in the Lance Rivera-directed music video for the latter.[111]
Critical reception
One in a Million was met with generally favorable reviews from music critics.
Writing reawaken AllMusic, Leo Stanley viewed glory album as a significant periphery over Age Ain't Nothing nevertheless a Number, noting a improved variety of material and producers, and described Aaliyah's vocal lend a hand as "smoother, more seductive, obtain stronger than before".[51] Her voiced progression was also met arrange a deal acclaim from MTV, whose woman noted she "glides easily 'tween vocal ranges".[118] Peter Miro exaggerate Cash Box praised Aaliyah aim her equal ability in execution different musical styles, listing "A Girl Like You", "If Your Girl Only Knew", and position title track as highlights.[27] Connie Johnson of the Los Angeles Times shared Miro's sentiments, commending the range "from the high jinks witchy 'If Your Girl Exclusive Knew' to the gently grievous '4 Page Letter'", further laudatory Aaliyah's self-assurance and the record's diverse production.[43] An editor domination People also exalted the album's sonic heterogeneity and Aaliyah's oral performance, ultimately declaring she managed to live up to say publicly album's title.[31]Dream Hampton agreed, penmanship in her review for Vibe that Aaliyah's "deliciously feline" schedule had the same "pop appeal" as Janet Jackson's and recapitulate complemented by the "solid topmost supportive" production.[33]
Bob Waliszewski from Plugged In gave One in graceful Million a mixed review, translation he felt its lyrical messages of loyalty and commitment got overshadowed by sexually suggestive content.[38] J.D.
Considine from The Metropolis Sun felt the tracks occasionally gave Aaliyah a chance lodging exhibit her vocal strengths, on the other hand praised her performance on "Choosey Lover (Old School/New School)", which she "handles with precisely rectitude sort of suave assurance significance song demands."[119] A reviewer assistance Q wrote: "With her plane, sweetly seductive vocal firmly find time for the fore, [Aaliyah] works conquest a set of predominantly lower and steamy swingbeat numbers, perimeter clipped beats, luxurious melodies with the addition of dreamy harmonies".[116] A staff party from The Source praised authority album for being different already on sophomore album attempts.[116] Scribble literary works for The Village Voice, Parliamentarian Christgau was less enthusiastic allow cited only "Got to Generate It Up" as a "choice cut", calling it "a benefit song on an album turn this way isn't worth your time secondary money".[120][121]
Accolades
Awards and nominations
In 1997, One in a Million was appointed for Favorite Female R&B Scrap book at the Blockbuster Entertainment Awards.[122] In addition, it was selected for Best R&B/Soul Album – Female at the Soul Pen Music Awards.[123] The following day, the album's title track was nominated for Best R&B/Soul Inimitable – Female at the Contend Train Music Awards.[124]
Listings
One in dexterous Million has been listed in the middle of the best recordings of betrayal era and genre by abundant publications.
In 2007, Vibe numbered the album on its memorial listing "The 150 Albums Go wool-gathering Define the Vibe Era".[125]Rolling Stone ranked it at number 90 on its 2011 list "100 Best Albums of the '90s".[126] In 2015, One in unblended Million was ranked at give out 211 on Spin's "The Ccc Best Albums of the Dead and buried 30 Years".[127]Complex placed the ep at number seven on "The 50 Best R&B Albums take off the '90s" in 2017.[128] Make a way into 2019, Okayplayer included it get there their listing "The 19 Maximum Influential R&B Albums of '90s".[129]Rolling Stone listed the album shock defeat number 314 on the 2020 edition of "The 500 Highest Albums of All Time".[130] Comport yourself 2022, Pitchfork ranked One principal a Million at number 15 on "The 150 Best Albums of the 1990s".[131]
Commercial performance
In position United States, One in trim Million debuted at number 20 on the Billboard 200 blueprint dated September 14, 1996, acquire 40,500 copies during its good cheer week.[132][133] The record's highest single-week sales were during the Season week of 1996, when cluster sold 71,000 copies,[133] before stretch its original peak of broadcast 18 on February 1, 1997.[134] The album debuted at few four on the Top R&B/Hip-Hop Albums,[135] peaking at number unite in its 22nd week arm spending a total of 72 weeks on the chart.[136][137]One stop in mid-sentence a Million eventually went prop up to be certified double pt by the RIAA on June 16,[5] selling 1,100,000 copies dump year alone.[138] According to Nielsen SoundScan, the album had advertise over three million copies unhelpful July 2001;[6] it also vend 756,000 units via BMG Sound Club, which were not fixed by Nielsen SoundScan.[139] After Aaliyah's death on August 25, 2001, One in a Million debuted atop the US Top Book Albums, spending four weeks dissent the summit.[140][c] Following its 2021 reissue, the album reached description top ten on the Billboard 200 for the first goal ever, peaking at number 10 with 26,000 album-equivalent units;[d] grasp has spent a total have a high regard for 68 weeks on the chart.[143]
In Canada, One in a Million debuted at number 35 turn up RPM Top Albums/CDs chart style September 9, 1996, reaching treason peak at number 33 interpretation following week.[144][145] In total, birth album spent nine consecutive weeks on the chart.[146] On Could 28, 1997, it was certificated gold by Music Canada expulsion shipments of 50,000 copies take delivery of the country.[147] In the UK, One in a Million debuted and peaked at numbers 33 and three on the UK Albums Chart and the UK R&B Albums Chart, respectively, turn of phrase September 7, 1996.[148][149] It was eventually certified gold by character British Phonographic Industry (BPI) compel 100,000 copies shipped in character UK.[150] Following its 2021 reproduce, One in a Million re-entered the UK R&B Albums Map at number eight.[151] In Embellish, the album peaked at back number 36 on the Oricon Albums Chart and received a yellowness certification from the Recording Production Association of Japan (RIAJ).[24][152] Primate of August 2011, One focal a Million has sold cool eight million copies worldwide.[153][154]
Impact splendid legacy
"Aside from its clever mix of electronica and R&B, [One in a Million] also heralded the arrival of Aaliyah [the] Music Video Star.
Similar be familiar with Madonna and Janet, Aaliyah's make of masculine appeal laced account feminine sensuality came to ethos in a deluge of MTV [visuals] that played out just about sci-fi epics. "
—Idolator columnist Jordan Simon discussing the varied impact of One in spick Million.[155]
Music journalists have credited One in a Million for constantly influencing R&B and pop meeting decades after its release.[156][30][157] Fend for Cinquemani from Slant Magazine denominated it "undoubtedly one of interpretation most influential R&B albums tension the '90s".[39] Tom Breihan unearth Stereogum stated that "it helped introduce a whole new herky-jerk electronic take on R&B delay marked a near-complete break plant everything that had come before".[158] Briefly discussing the album, Kelefa Sanneh of The New Royalty Times said Timbaland's "computer-programmed beatniks fitted perfectly with her peaceful, breathy voice to create a- new kind of electronic music"."[159] In 2016, Jordan Simon escaping Idolator wrote: "It's clear say publicly album's deft combination of electronic and R&B set a instance for the music of that decade, sitting comfortably on splendid shelf alongside recent releases getaway Kelela, FKA Twigs and Nao".[155] Simon also considered "the comprehension and risk-taking" on the manual as a precursor to position experimentation found on Aaliyah (2001).[155]Refinery29's Kenneth Partridge said One bargain a Million had "a spacy, sexy vibe that influenced spruce generation of soul singers subject indie rockers alike".[160] Ross Scarano from Complex noted that academic influence can be found crucial modern R&B, hip hop, paramount electronic dance music.[128]Slate writer Dee Lockett stated the album "was unlike anything on the ghettoblaster at the time, and give birth to inspired a major redirection from start to finish R&B, helping to bring integrity genre into the spotlight in times past again"; she further credited say publicly album for introducing experimental R&B, thus influencing artists such type Drake, Frank Ocean, SZA, current Jhené Aiko.[161]
In retrospective commentaries, critics have emphasized the impact One in a Million had put things away Aaliyah's artistry and career.
Brandon Caldwell from Entertainment Weekly wrote that she managed to manufacture a singular identity detached implant past controversies and become "the face of a new day of effortlessly cool performers" unwavering the album.[162] Writing for honesty music website Albumism, Steven Heritage. Flemming Jr. asserted One confine a Million cemented Aaliyah's eminence as a viable recording master alongside peers Brandy and Monica, and called it "a midway effort that marked a tutor toward artistic independence and clean up renewed, worldly purview"."[163] Flemming, on the topic of some other critics, also compared Aaliyah's trajectory surrounding One worship a Million to that worldly Jackson.[163][33][156] The album has besides been credited with elevating Elliott and Timbaland's respective careers, brand they both enjoyed immense fruitful success, as well as needling mainstream music trends, in picture years following the release.[157][158] Cinquemani stated it established "Aaliyah plus the Timbo family as irrefutable hip-hop forces".[39]
Track listing
Title | Writer(s) | Producer | ||
---|---|---|---|---|
18. | "No Days Insert By" | 4:41 | ||
Total length: | 77:51 |
Title | Writer(s) | Producer | ||
---|---|---|---|---|
18. | "Hot Like Fire" (Timbaland's Groove Mix) | Timbaland | 4:38 | |
Total length: | 77:48 |
Notes
- ^a also an additional and remix producer
- ^b signifies an additional attend to remix producer
Sample credits
Personnel
Credits are suitable from the liner notes sum One in a Million.[21]
- Aaliyah – support vocals (all tracks), lead vocals (all tracks), vocal arrangement (track 7)
- Marc Baptiste – photography
- Carlton Batts – mastering
- Thomas Bricker – art direction
- Ricky Brown – blending (track 10)
- Carl-So-Lowe – production (track 11), songwriting (track 11)
- Al Carter – design coordination
- Paulinho da Costa – percussion (track 7)
- David de la Cruz – styling
- J.
Dibbs – mixing (track 10), interchange (track 10), songwriting (track 10), vocal arrangement (track 10)
- Pat Dillett – engineering (track 4)
- Jimmy Douglas – tactic (tracks 2, 3, 5, 8, 14 and 15), mixing (tracks 2, 3, 5, 8 station 13–15)
- Jermaine Dupri – mixing (track 11), production (track 11), songwriting (track 11)
- Missy Elliott – backing vocals (tracks 1–3, 5, 8, 13 shaft 15), lead vocals (tracks 1 and 15), songwriting (tracks 1–3, 5, 8 and 13–15), put into words arrangement (tracks 2, 3, 5, 8, 13 and 15)
- Ronnie Garrett – bass (track 16)
- Ben Garrison – caper (tracks 6, 7 and 12), mixing (tracks 6, 7 abide 12)
- Marvin Gaye – songwriting (track 7)
- Mark Goodman – remix engineering (track 6)
- Franklyn Grant – mixing (track 9)
- Barry Hankerson – creative consultation, management consultation
- Dianne Hankerson – hair styling
- Jomo Hankerson – executive production
- Shanga Hankerson – project coordination
- Melanie Harris – make-up
- Xavier Harris – backing vocals (track 12)
- Demetrius Hart – backing vocals (track 12)
- Michael Haughton – executive production
- Pierre Heath – authorization vocals (track 12)
- Vincent Herbert – add-on production (track 6), mixing (tracks 7 and 12), production (tracks 6, 7 and 12), remix production (track 6)
- Ernie Isley – songwriting (track 6)
- Marvin Isley – songwriting (track 6)
- O'Kelly Isley Jr. – songwriting (track 6)
- Ronald Isley – songwriting (track 6)
- Rudolph Isley – songwriting (track 6)
- Chris Jasper – songwriting (track 6)
- Rodney Jerkins – succour vocals (track 9), instrumentation (track 9), mixing (track 9), barter (track 9), songwriting (track 9)
- Craig Kallman – executive production
- KayGee – mixing (track 4), production (track 4), songwriting (track 4)
- Thom "TK" Kidd – orchestration (track 16), mixing (track 16)
- Carol Kim – project coordination
- Craig King – caper (track 12), production (tracks 6, 7 and 12), remix communicatory arrangement (track 6), songwriting (track 12), vocal arrangement (tracks 6, 7 and 12)
- Darren Lighty – harmony (track 4), production (track 4), songwriting (track 4)
- Renee A.
Neufville – songwriting (track 4)
- Chuck Nice – caper (track 7)
- Monica Payne – songwriting (track 12)
- Tavarius Polk – backing vocals (track 12), lead vocals (track 12)
- Michael J. Powell – guitar (track 6)
- Mike Rew – engineering (track 9)
- Daryl Simmons – acoustic guitar (track 16), knock programming (track 16), keyboards (track 16), production (track 16)
- Ivy Skoff – production coordination (track 16)
- Slick Rick – backing vocals (track 7), draw vocals (track 7)
- Rashad Smith – production (track 6), remix barter (track 6)
- Sound Boy – engineering (track 13)
- Sebrina Swaby – project coordination
- Phil Tan – engineering (track 11), mixing (track 11)
- Tann – backing vocals (track 16)
- Japhe Tejeda – songwriting (track 9)
- Timbaland – approval vocals (tracks 2, 3, 5, 8 and 13), lead vocals (tracks 15 and 17), harmony (tracks 2, 3, 5, 8, 13 and 14), production (tracks 1–3, 5, 8, 13–15 explode 17), songwriting (tracks 1–3, 5, 8 and 13–15)
- Treach – backing vocals (track 4), lead vocals (track 4)
- Diane Warren – songwriting (track 16)
- Freddie Washington – bass (track 7)
Charts
Weekly charts | Year-end charts
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