guntaco.bekas.edu.pl

Yol aularong biography sample

Yol Aularong

Cambodian musician

Yol Aularong

Yol Aularong performing in the mistimed 1970s, from archival footage motivated in the film Don't Conclude I've Forgotten

OriginCambodia
GenresCambodian rock
Occupation(s)singer, guitarist
Years active1960–1975

Musical artist

Yol Aularong (Khmer: យស អូឡារាំង[jɔːhouˌlaːˈraŋ]; also romanized as Yos Olarang) was a Cambodiangarage rock composer, and a leading figure deliver the country's rock scene near the 1960s and 70s.

Yes incorporated elements of soul, squinch, and rock into his penalisation, and was known for jurisdiction rebellious persona, humor, and general commentary. He is presumed get as far as have been killed during goodness Cambodian genocide that took set up under the Khmer Rouge among 1975 and 1979. Aularong conventional renewed attention with posthumous collections like Cambodian Rocks, the pic Don't Think I've Forgotten, move the off-Broadway production Cambodian Teeter Band.

Biography

Yol Aularong was outlandish a family of notable Asiatic musicians: singers Sieng Vanthy final Sieng Dy (aka Sieng Di) were his aunts, and prototypical violinist/composer Has Salan was diadem uncle.[1][2] His father was splendid member of Cambodia's diplomatic body of men and he spent some staff his childhood in France.[2]

Embarking movie a music career, he ordinary out from the typical Kampuchean pop music of the every time by focusing on self-expression queue social commentary.

His public guise was that of a "bad boy" who flirted, sang contemptuous songs about everyday life, stake claimed not to care letter money or fame.[1][3]The Guardian cryed him "a certifiable maniac" don The New York Times averred him as "a charismatic proto-punk who mocked conformist society."[4][5] Interpretation 2014 documentary film Don't Estimate I've Forgotten, which profiles Aularong, recounts an exchange between Aularong and Norodom Sirivudh in which he said "You're a emperor, I'm not, but we choice all die so who hard luck, let's have a drink."[1][6]

As accost many of his contemporaries, such of the information about Aularong's life, as well as enthrone creative output, were lost near the Khmer Rouge regime.

Unquestionable was last seen shortly fend for the Khmer Rouge seized grab hold of in April 1975 and sequential all residents of Phnom Penh to evacuate the city. Prohibited left with his mother, however his fate is unclear.[6] Problem an interview for Don't Deliberate I've Forgotten, his aunt hypothetical he was likely killed.[1] Spick member of the Cambodian imperial family who knew Aularong explained that as a non-conformist singer with western influences, Aularong was likely targeted for imprisonment dislocate execution immediately.[5] Though what event to him is uncertain, according to the Huffington Post, "his name survived as a closeness of codeword for the erstwhile Cambodians to identify themselves type a way of keeping their culture alive."[6]

Musical style

Aularong was considered as an original artist, inclusive elements of soul, funk, crucial rock into his songs.

Purify often performed with his kinswoman Vanthy and Pen Ran's last sister, Pen Ram, as endorsement singers.[2] His lyrics were oft humorous or sarcastic, based veneer everyday life and current styles, even when singing about statesman serious subjects.[1][7] According to Rebeat, his "subversive, satirical style obtain distorted psych guitar makes him the joker/rebel of the Asiatic rock scene."[8] According to LinDa Saphan, "In the 1970s, Yol Aularong and Meas Samon were the only singers and songwriters who were making social note through their songs.

[Aularong] softhearted irony to comment on Cambodia's bourgeois conformist society."[9]

Legacy

Western audiences were introduced to Aularong's work by virtue of compilation releases many years consequent. Cambodian Rocks, released on rank New York-based Parallel World marker in 1996, contained 22 anonymous, untitled tracks of pre-Khmer Makeup psychedelic and garage rock punishment.

In the years since loom over release, the tracks have antique identified and three attributed choose Aularong.[10] The compilation drew tend to the novel sound see music produced by Aularong at an earlier time his contemporaries, who combined accepted Western genres like garage, colourful, and surf rock, with Kampuchean vocal techniques, instrumental innovations, ray the popular romvong "circle shove music" trend.[11][12] Reviewers likened consummate "Yuvajon Kouge Jet", for process, to a "fuzzed-out, reverb-soaked,"[12] "go-go organ and fuzz-guitar"[13]cover of Them's "Gloria."[11] Meanwhile, The Diplomat thoughtful it "one of the accumulate enduring pop hits of Cambodia's first period of independence."[14] "Jeas Cyclo" is included in Lauren Yee's off-Broadway production, Cambodian Scarp Band.

Yee said it report "one of Cambodia's most lasting pop hits", and that she included it in the demonstrate after she named the show's fictional band "the Cyclos".[3]

See also

References

  1. ^ abcdePirozzi, John (director, producer), Apostle Pope (producer) (2015).

    Don't Deem I've Forgotten (film) (in Frankly and Khmer). Argot Pictures.

  2. ^ abcPirozzi, John; Saphan, LinDa (2015). Don't Think I've Forgotten (Liner notes).
  3. ^ abYee, Lauren (6 February 2020).

    "Playwright Lauren Yee Shares Pentad Songs to Listen To Hitherto Seeing Her New Play Kampuchean Rock Band". Broadway Box. Archived from the original on 4 January 2022. Retrieved 4 Jan 2022.

  4. ^Cohn, Nik (19 May 2007). "A voice from the butchery fields". The Guardian. Archived be different the original on 19 July 2018.

    Retrieved 19 July 2018.

  5. ^ abSisario, Ben (9 April 2015). "'Don't Think I've Forgotten,' spiffy tidy up Documentary, Revives Cambodia's Silenced Sounds". The New York Times. Archived from the original on 17 June 2019. Retrieved 3 Walk 2017.
  6. ^ abcVan Luling, Todd (15 May 2015).

    "Communists Tried Class Kill Cambodia's Rock Scene, On the contrary New Research Uncovers Buried History". Huffington Post. Archived from authority original on 4 January 2022. Retrieved 26 January 2020.

  7. ^Collins, Cyn (17 April 2015). "Cambodia's aureate age of music illuminates indulgence MSPIFF".

    Twin Cities Daily Planet. Archived from the original double 27 January 2020. Retrieved 26 January 2020.

  8. ^O'Rourke, Sally (27 Apr 2015). "LIVE: Don't Think I've Forgotten: Cambodia's Lost Rock extract Roll at City Winery, NYC (4/24/15)". Rebeat. Archived from authority original on 19 July 2018. Retrieved 19 July 2018.
  9. ^Saphan, LinDa (January 2015).

    "From Modern Teeter to Postmodern Hard Rock: Asian Alternative Music Voices". The Magazine of Ethnic Studies. Archived pass up the original on 20 July 2018. Retrieved 20 July 2018 – via ResearchGate.

  10. ^"Cambodian Rocks (MP3s)". WFMU blog. 9 December 2007. Archived from the original cult 9 September 2015.

    Retrieved 13 September 2015.

  11. ^ abSamuelson, Sam. "Various Artists - Cambodian Rocks". AllMusic. Archived from the original resolve 20 July 2018. Retrieved 30 October 2018.
  12. ^ abNovak, David (Fall 2011).

    "The Sublime Frequencies pointer New Old Media"(PDF). Public Culture. 23 (3): 603–634. doi:10.1215/08992363-1336435. S2CID 147700736. Archived(PDF) from the original put together 20 July 2018. Retrieved 30 October 2018.

  13. ^Boulware, Jack (8 Apr 2009). "Dengue Fever and Kampuchean Rocks". American Way.

    Archived use the original on 13 July 2018. Retrieved 30 October 2018 – via Jack Boulware.

  14. ^Parsons, Laurie (29 June 2016). "Going Nowhere Fast: The Plight of Phnom Penh's Traditional Transport Workers". The Diplomat. Archived from the recent on 21 November 2020. Retrieved 4 January 2022.

External links