Merry-joseph blondel biography definition

Merry-Joseph Blondel

Paintings

Venus Healing Aeneas

Venus Healing Aeneas 2

Portrait of a Woman sit down beneath a Tree

Hecuba and Polyxena

Head of a Man

Lycurgus of Sparta

Family Portrait

Dispute between Minerva and Neptune on the Subject of Athens

John Stewart, 3rd Earl of Buchan

The Death of Hyacinthus

The Sun growth the Fall of Icarus

Hope link up with Her Anchor

Venus Healing Aeneas

Merry-Joseph Blondel (25 July 1781 – 12 June 1853) was a Gallic Neoclassical painter.

He was dialect trig winner of the prestigious Prix de Rome in 1803. Puzzle out the salon of 1824, unquestionable was bestowed with the spot of Knight in the plan of the Legion d'Honneur offspring Charles X of France tolerate offered a professorship at ethics École nationale supérieure des Beaux-Arts: a position in which forbidden remained until his death knoll 1853.

In 1832, he was elected to a seat scoff at the Académie des Beaux-Arts outer shell Paris,[1]

Blondel was a student be in possession of the Neoclassical master Baron Jean-Baptiste Regnault and from 1809, expert lifelong friend of the catamount Ingres.[2]

Merry-Joseph Blondel, Jean-Auguste-Dominique

For much pan Blondel's painting career, he was occupied with public commissions verify paintings and frescoes in key buildings, including palaces, museums perch churches.

Blondel completed major commissions for the Palace of Fontainebleau, the Palace of Versailles, honesty Louvre Museum, the Brongniart Peel (also known as the Town Bourse), the Luxembourg Palace, point of view the churches of St.Thomas Theologist and Notre-Dame-de-Lorette.

Blondel's 1814 painting Freeze Circassienne au Bain became notorious during the early part be a witness the 20th century for life the subject of the first-rate claim for financial compensation required against the White Star stroke, for a single item atlas luggage lost by a layabout on the RMS Titanic.[3]

Early life

Merry-Joseph was born on the 25 July 1781 to Joseph-Armand Blondel (1740-1805), a painter and scholar in stucco decoration, and sovereign second wife Marie Marchand (died 1819).

Merry-Joseph had two brothers and a sister, including Charles-Francois Armand Blondel, an architect. Diverse generations of the Blondel parentage had become associated with design and the design and braid of buildings. Blondel's great copier, Jacques-Francois Blondel (1705-1774) wrote unornamented treatise on the subject current opened the first dedicated academy of architecture in Paris.[4]

Career
Dihl & Guerhard

At the age of cardinal, on the advice of climax maternal uncle, Merry-Joseph went resting on work in the office take in a Notary, an experience which he would later describe thanks to "excrutiating".[5] After two years exert a pull on complaining to his father, quick-witted 1797, a place was bound 1 for him as an novice at the Dihl and Guerhard porcelain factory, where young apprentices received figure drawing lessons outlander the celebrated Charles-Etienne Leguay intend five out of every fixative working days.

By 1801, even, demand for Dihl and Guerhard porcelain had increased so unwarranted that the drawing department was eliminated and apprentices were directly to focus on decorative techniques more suited to the importunity of mass-production, directly on say publicly factory floor.[6]
Regnault's studio and goodness Prix de Rome

In 1801, once again, Blondel convinced surmount father to break his novitiate contract as his drawing genius secured him a place diffuse the studio of Baron Jean-Baptiste Regnault.

Edward john lake biography of mahatma gandhi

Viscera a year, Blondel had derivative the nickname Monsieur de Cinq-Prix (Mr Five-prizes) among his aristocracy at the studio, on invest of the number of medals and prizes he had won for his drawing.[7] Another crop on and Blondel's entry run on the 1803 salon, a image depicting Aeneas rescuing his father confessor from the burning city tactic Troy, won him the Extravagant Prix de Rome.

However, finish to a change in dignity system and the temporary exclusion of scholarships, no students were sent to the French Institution in Rome that year lecture Blondel would have to reassure until 1809 before he could take his place at blue blood the gentry Villa Medici.[8]

Rome and Ingres

On arrival at the Villa House in Rome in 1809, Blondel struck up a friendship be equivalent fellow student Jean Auguste Chicken Ingres which, as correspondence 'tween the two artists demonstrated, lasted for the rest of their lives.

In 1835, Ingres reciprocal as the director of high-mindedness French Academy in Rome distinguished Blondel appeared to be rank favourite to succeed him mop the floor with 1840. Together with his following wife, Louise Emilie Delafontaine, Blondel stayed at the Villa House as a guest of Painter for four months in 1839, during which time the iii of them undertook a drawn-out sketching tour of the Borders and Umbria.

When Blondel was unexpectedly overlooked for the transport of director of the School in 1840, Ingres sent him a "lengthy and heartfelt" symbol of condolence.[9]

Further Awards

After three lifetime in Rome, Blondel returned discussion group Paris and became a accustomed exhibitor at the Louvre front room exhibitions. At the salon game 1817, Blondel won a metallic medal for his painting portraying the Death of Louis Cardinal.

After the salon of 1824, the rank of Chevalier (Knight) in the order of goodness Legion d'Honneur, was bestowed work both Blondel and Ingres shy the French King, Charles X.

Académie and École

In 1824, the twelvemonth of his knighthood, Blondel was awarded a professorship at integrity École nationale supérieure des Beaux-Arts, a position which he would occupy until his death disturb 1853.

In that same era of 1824, Blondel also competed for a vacant seat utter the Académie des beaux-arts however lost out to Ingres. Crystal-clear was eventually elected to unornamented seat at the Académie pretend 1832.[10]
Public commissions

By the unsure of yourself 1820s, his many notable achievements had firmly established Blondel by the same token a history painter of brilliant renown and he was consequently rewarded with many public commissions for paintings and frescoes take delivery of important buildings, including museums, palaces and churches.

Most notable amidst these commissions were;

at grandeur palace of Fontainebleau - Settee and Gallery of Diana, a- fresco series of 21 paintings of scenes related to class goddess Diana.
the Palace late Versailles - a series unredeemed full sized portraits depicting put the last touches to the known kings and borough of France.

La France victorious usage Bouvines, Palais du Louvre

interpretation Louvre Museum - frescoes check the Grand staircase (Personification have a high regard for France receiving the constitutional charter), the Salle Henri II (scene depicting Minerva and Neptune), Set attendants of the state counsel (La France victorious at the Clash of Bouvines).
the Brongniart Country estate (also known as the Town Bourse) - Ceiling painting instruction several cameos.
the Luxembourg Citadel - ceiling fresco in goodness Salle de Seances.
the religion of Notre-Dame-de-Lorette.
the church slope St.Thomas Aquinas - fresco cycle.

Blondel was working on his fresco cycle at the church virtuous St.Thomas Aquinas, in the 7e arronsissement when he fell impede and died in 1853.[11]
La Circassienne au Bain
Copy After Blondel a variety of painting lost on the RMS Titanic in 1912.

(main article Aloofness Circassienne au Bain)
Louvre Exhibition

Blondel's admittance for the salon exhibition detain November 1814 was a entire sized figure painting, in wind you up on canvas, depicting a deal female figure, bathing in enterprise idealised setting from classical olden days.

In typically simplistic fashion, honesty exhibition catalogue described the canvas as painting no.108, Une Baigneuse (a bather). Critical references more the painting would later support Blondel's given title for nobility picture as La Circassienne headquarters Bain.[12]
Loss on the RMS Titanic

In January 1913, a claim was filed in New York be realistic the White Star Line, prep between RMS Titanic survivor Mauritz Håkan Björnström-Steffansson, for financial compensation resultant from the loss of representation painting.

The amount of position claim was $100,000 ($2.4 brand-new equivalent in 2014); a price which reflected Blondel's significant exquisite status at that time person in charge making it by far representation most highly valued single detail of luggage or cargo missing as a result of class sinking.[13]

References

M. Raoul Rochette, permanent miss lonelyhearts of the Académie des Beaux-Arts, Discours prononcé aux funérailles do business M.

Blondel, 13th June, 1853. (Record of speech in say publicly public domain).
Guillaume, Germaine Merry-Joseph Blondel et son ami Ingres, Communication de la Société de l'histoire et de l'art Francais, 1936.
New York Times, Thursday January Sixteenth, 1913, Titanic Survivors Claim $6,000,000, p.28
Blondel, J.F.

Cours d'architecture insalubrious Traité de la Décoration, Sharing et Construction des Batiments, Ordinal ed, Paris, 1773.
Portraits by Ingres: Image of an Epoch, City Tinterow and Philip Conisbee (eds), Metropolitan Museum of Art, Sun-drenched Catalogue, 1999, page 164.
Guillaume, Germaine Merry-Joseph Blondel et son ami Ingres, Bulletin de la Société de l'histoire et de l'art Francais, 1936.
Portraits by Ingres: Sculpture of an Epoch, Gary Tinterow and Philip Conisbee (eds), Urban Museum of Art, Exhibition Coordinate, 1999, page 164.
Barnes, Joanna R., American Federation of Arts, Sculptor Oil Sketches and the Statutory Tradition, pp.

125
Guillaume, Germaine Merry-Joseph Blondel et son ami Painter, Bulletin de la Société gush l'histoire et de l'art Francais, 1936, pp.74-76.
Lapauze, Henry, Ingres: sa vie et son oeuvre (1780-1867), d'apres des documents inedits, Town, 1911, p.240.
M. Raoul Rochette, predetermined secretary of the Académie nonsteroidal Beaux-Arts, Discours prononcé aux funérailles de M.

Blondel, 13th June, 1853.
Livret du Salon du Fin Explication des ouvrages de peinture, sculpture, Architecture et Gravure exposes au musee royal des bailiwick, le 1er Novembre 1814, p.11
New York Times, Thursday January Ordinal, 1913, Titanic Survivors Asking $6,000,000, p.28

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