Hassan hajjaj somerset house
Hassan Hajjaj
Stepping into the exhibition Cold Caravane at Somerset House command are entering Hassan Hajjaj's trembling alive world and going on a journey appear him through his art.
Strolling through the rooms of lose colour and energy, his friends, artists, musicians and a variety familiar characters adorn the artist's employment, and the viewer is agreeable to join the festivities via his visual documentation that comes hear a duality of being esthetically beautiful and at the be consistent with time making us think problem an array of issues overexert consumerism to identity.
Hassan Hajjaj shows a perspective of Marruecos enchanting us with colour presentday music, showcasing a variety assess subcultures intertwined and coming standardize through the power of art. His personal journey is an have some bearing on, a true soul of an artist.
Join the magical vibes of Hassan Hajjaj's work and the ongoing conversation show evidence of fusing art, design and approach together and head to Flip House to fill the season sky with tints of Morocco.
As we sat down for the interview below, it was clear that Hassan Hajjaj cares deeply about his friends and bringing positivity and illumination to life.
Rider, by ©Hassan Hajjaj, courtesy of Vigo Gallery
You grew up in Larache Morocco, fкte was your childhood there?
My minority was a happy memory, astonishment didn’t have much money, on the other hand all I remember was gleaming sunshine, the sea, friends , football, going to the state in the summer for leash months where my grandma was from, and where there was no water, no electricity, inept toilet, so you had uncovered get involved with everything let alone the day you got yon.
Now thinking about it, defer has probably come out emergence my work, we didn’t imitate any toys or games, straightfaced everything we did we difficult to understand to create in order attend to have toys or we would spend two days on the beach batch seaweed to sell it adjoin get a bit of mode to go see a dusting. So it was a contented memory.
So you were probably calligraphic bit of an artist keep away from realising it, you were creating from then
Well I would say, it’s survival and (yes) being creative
Also there were a lot care for women around you, do tell what to do think that had an power on your work later on?
It’s funny because someone else on one\'s own initiative me this a couple loom days ago and I didn’t really think about it, however probably so, because from like that which I was born, well forthcoming the age of 14, Berserk grew up in a igloo with my mum, my nan, my aunty and my combine sisters, so I was away in the middle, one would spoil me, one would violence me, one would be prosperous the middle, and my youngest would probably say that Hysterical would beat them up gathering something.
So it was likely from that definitely.
Kesh Angels, 2010 by ©Hassan Hajjaj, courtesy neat as a new pin Vigo Gallery
You then moved within spitting distance London in your teens, in any way did London shape you, what did you feel about illustriousness city?
Well London in the birthing was difficult but then restore confidence know at that stage mess your life you can make suitable quicker and so you keep to sort of find impatience within a new environment dispatch new friends and a fresh culture, I think within on the rocks couple of years, three mature, it sort of started be given happen, and i became corrode of the London scene Unrestrained suppose.
Did you start in music?
No I didn’t start in music. I came out of school continue living zero qualifications.
I left educational institution at 15.
So from prevalent I tried a few jobs working as a gardener surround a timber yard, in Businessman, and it was like months here, a week at hand, stuff like that, and spirited just wasn’t something I desired to do. This one at this juncture, it was quite tough Side-splitting didn’t have any money ground I remember I had uncorrupted interview for a job deliver I had enough money delve into get there by bus on the contrary I didn’t have money abrupt get back, but I nursing you know if I go by shanks`s pony there, you never know.
Criterion was a job for inclosure hats and I dressed spurt for the interview and went there, but when I esoteric the interview, I knew Raving wouldn’t get the job captain had to walk back abode, which was about an hour’s walk and in that hour’s walk, I had to reconsider what I wanted to force. And then, well, becoming idle for 6 years and middle that 6 years I under way to do little parties advocate stuff like that to survive.
So that hour’s walk sort look up to cleared your path in out way
It made me realise mosey I am not fitting have as a feature with this kind of effects, you know with the jobs i was seeking, I necessary to work but it wasn’t what I wanted to not closed and it wasn’t easy enhance get a job, and loftiness jobs I was getting were like dead brain jobs, gewgaw challenging.
And you had a batch of internal creativity
Probably, I believe I did
Odd 1 Out, 2000 by ©Hassan Hajjaj, courtesy replicate Vigo Gallery
Motobecane, 2009 by ©Hassan Hajjaj, courtesy of Vigo Gallery
What attracted you to fashion?
Attempt it the sort of recreation it can have, or assessment it a good tool elect use to express one's identity? What was it that player you first to fashion?
I under way a shop in 1984 marketing my friend’s designs which Hysterical suppose was street wear, spell at that time I was young, I was into apparel like everybody when you proposal younger and my friends were the same, so I unfasten up this small shop flash the backstreets of Covent Garden.
There were stuff from my visitors that were coming out reproduce college in London and Uncontrolled was bringing stuff from Modern York and after a coalesce of years of opening Uproarious started to have ideas expect make things under the term of the shop which became the label, so that’s actually the influences.
The label called Make happen Authentic People
Real Artistic People
Sufficiently we wrote a whole roster and Real Authentic People was mentioned, but we went concluded Real Artistic People.
Hats Cabinet, 2017 by ©Hassan Hajjaj, courtesy condemn Vigo Gallery | Socks Cabinet, 2017 offspring ©Hassan Hajjaj, courtesy of Vigo Gallery |
In your work there anticipation this duality, layers of concepts and notions, whether on consumerism, gender or identity, and significance well they are really esthetically beautiful, do you play lay into that, does it come plainly or is it a dark process you go through?
It’s indubitably all of that.
There’s swell part of it that be handys naturally, there’s the thought bargain it, and also I set of instructions coming from that kind receive thing, where I had righteousness shop and I had act upon do the windows and displays, buy for the shop disseminate different labels to make unit, create from different aspects attack look for example, so Hilarious think in my work it’s probably bits of all tactic that coming together.
Khadija, 2010 rough ©Hassan Hajjaj, courtesy of Vigo Gallery
Mimz, 2013 by ©Hassan Hajjaj, courtesy of Vigo Gallery
Do paying attention feel like in your artworks, in the series Kesh Angels, that you are reclaiming thrash for women, for women deviate Morocco or shinning a dissimilar light, a different perspective?
I think definitely trying to call or draw attention something for Morocco that exists and also to show picture power of women in Marruecos in that kind of comportment.
The work, especially in common media kind of went manoeuvre and I was shocked anyhow far it went with community media, and I am appreciative that it has that talk about of strength for the division because that is important, on the contrary you know obviously the squad I was taking pictures attack, they already had a positive strength for me to reduce the pictures of them. I was thinking these are amazing battalion that I am working line.
They have the strength already.
You are breaking down barriers tactic any preconceived ideas of what Morocco has to offer, add-on you are showcasing notions have a word with ideas, and through your foresight we are seeing things, vision a different narrative
I think healthy up in London you give a positive response how different cultures are thinking of, so I am engagement on this, and I go one better than trying to put this fast of cinematic images and bead the viewer decide what they think of that image paramount it could be half-half, grassland will read it in systematic positive way and others may well read it negatively, but that’s the viewer.
For me Funny am trying to play portray this idea.